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Phil Holland was born and raised in Southern California. As a child he enjoyed camping, hiking, sports, playing with his GI Joes, and doodling. His mother and father had a strong interest in nature, wildlife, and science. Growing up in this household allowed Phil many interesting experiences that fueled his young creative mind.

There were several teachers that made a major difference in Phil's life that he accredits for much of the person he is today. Phil's biology teacher Margie Whitecamp opened many doors that allowed him to explore all realms of science. He found himself competing in science fairs and lending a helping hand on a fictional mission to mars where people survived in a biodome. Another educator that influenced Phil's life was a literature teacher named Jack McGee. Jack seemed to put a good amount of effort into unlocking Phil's creative side. Through some tough methods Jack's teachings showed that there was a viable outlet for creative thoughts.

After high school Phil found himself at a strange dilemma. He spent the better years of high school wanted to attend UCLA or USC (Dad pushed for USC) to major in some form of biology. However, there was one problem. He began to feel his creative energy emerging. Phil made a life changing decision to not go to college and instead study the arts with a focus on entertainment design. At this time the online art community was just coming into it's own. Resources such as forums where professional artists critiqued you work and the ability to communicate with other artists embracing digital medium changed the way he looked at art.

When Phil was 19 Rhythm and Hues Studios was in need of temporary graveyard Film Operator. Phil was hired and realized that this company was unique in many ways. He did everything in his power to learn more about visual effects and how he could contribute to the company.

During his employment at Rhythm and Hues, Phil was able to continue his studies and eventually venture out into the extremely competitive world of freelance design. He also has enjoyed teaching in his spare time. Another side effect of this portion of his life was a rekindled passion for photography. Around 1999 Phil discovered the world of digital photography.

These days Phil is still working at Rhythm and Hues Studios as a Scan/Record/Color/Coordinator and is exploring other creative opportunities within the studio. He does many other strange things for the company as well. Phil has created a color correction pipeline, helped in developing and testing HDR imaging techniques, developed and programed several useful tools, and many other things. Phil has also shot editorial, scientific, and scenic photography for the studio.

In his off time he enjoys lending his talents on many different types of freelance entertainment projects. Including conceptual design for film and games, photography, musical composition, and directing. He also enjoys contributing to the online art community through websites like conceptart.org where he is a featured artist.

During his tenure at Rhythm and Hues Studios, Phil has worked on over 60 features. Most recently The Lion, The Witch and The Wardrobe, Superman Returns, and Charlotte's Web. He is currently hard at work finishing up his part for Rhythm and Hues “After Hours” DVD. Phil will be participating in the "Chubby Bunny Show" in February 2006.

Phil's thoughts on production:
I have been in a unique situation where I've been able to have a long term career at a single visual effects studio. This is generally a rare occurrence in this industry and luckily I landed at a company that allows me continue my education as well as contribute to many different sides of production.

One thing that working at a larger studio teaches you is the importance of teamwork and communication. Having a level head helps a lot too. Dealing directly with clients either on set or inside the studio is a tricky position and you always need to remember that you are representing your entire company. So be on the ball. Hard work pays off in the long run and generating and implementing new ideas that the studio can use is usually well accepted. Once people begin to see that you do good work you will typically be given more responsibility and even more exciting opportunities will be presented to you.

When it comes to freelance work it's all about you. Well, you and your ability to get work done on time. My advice is to sell yourself in a truthful and positive manner, do good work, do good work on time, and try not to burn many bridges on your way. However, don't overload yourself with too much work. Staying up a few days just for a deadline isn't fun. Burning out is hard to come back from. Finding a good balance between projects, a healthy social life, and sleep is important. Try to get out and get inspired. When a creative block comes up you need to find your way to plow through it. Look at everything around you. I look to friends, nature, society, and other art a bunch. Practice hard and don't stop learning. I am surrounded by many talented people that I admire and respect. They in turn inspire me to work hard and create everyday. Knowledge, a keen eye, and a sense of humor will get you far in work and in life.

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