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Home > Featured artist > March 2002 > KIRSTEN DRUMMOND

liner notes
KIRSTEN'S LINKS
BLOCKBUSTER
TIPPETT STUDIO
WORK CREDITS
  • Blockbuster: Carl & Ray
  • Cats & Dogs
  • Sixth Days
  • Hollowman
  • Mission To Mars
  • Bicentennial Man
  • Flintstones: Viva Los Vegas
  • Komodo
  • The Haunting
  • Jingle All the Way


* Click on images for pop-ups


Years ago, Kirsten Drummond at the age of eight was taken to go see Star Wars. Like so many, amazed by what she saw, you think she said "Wow, I want to do that!"?.

No, not the case, dreamy eyed she said "Han Solo is way cuter then Luke Skywalker".
Film. FX. That had no place in the heart of a young girl -- that's because she had other dreams.... dreams of being a dancer. By High School that was all Kirsten wanted to do. Years later, her parents sent her to North Carolina School of the Arts. It was there that she studied modern dance with the hopes of someday joining the Paul Taylor dance company.

Injured during her freshmen year of college, she had no idea what to do next. She decided to take a year off from school and go back home to figure out what she wanted to be, where her heart laid when she could no longer dance . At the suggestion of one of her dance instructors, she took art class at the local community college. During that time she discovered other interest besides dance -- photography, stage lighting and stop-motion animation had a strong appeal, and to learn more she knew she had to go back to school and get a more formal education. She choose Ringling School of Art and Design because of its solid foundation year.

It was during this first year that her foundation advisor introduced her to Joan Staveley. Joan, an instructor in the computer animation department, also had a background in dance. Kirsten's advisor felt she could benefit from talking with her. Joan spoke about computer animation and how Kirsten could use her dance background to think about the computer as if it was a stage, with actors, props and lights. She was hooked.

Lighting quickly became her mainstay, "To me, lighting is really another character in an animation. So much of what is going on in a scene can be affected with just subtle changes in the lighting". During an internship at VIFX that summer, Kirsten knew that after graduation she wanted to find work as a TD. Work though would not come easy, most of the companies that came to Ringling that year were looking for character animators and not lighters. But she didn't let that get her down. One thing see had learned as a dancer was no matter how good you are, if you aren't what they are looking for, your not going to get the job.

Kirsten graduated from Ringling and moved out to LA ready to look for work. Only one problem, she graduated right when the market was changing. Within three months Warner Digital and Boss Films closed, putting a lot of talented people on the street looking for work. But she didn't give up. A friend from school told her about DHIMA, a local trade school that was looking for teacher assistants. The job would allow her to keep current on the software and to continue working on her demo reel. DHIMA was a great experience, not only did she get to help out in the classroom but within a year she was teaching her own classes. "I felt very strongly, that to be a good teacher you need to bring as much professional experience as you can to the class room."

It was during this time that a friend told her that Tippett Studio was looking for people to work on "The Haunting". She was offered a job in the roto/paint department. After "The Haunting" ended she went to work at Rhythm and Hues on "Flintstones Viva Los Vegas". For the next year she worked at both studios pulling mattes and doing plate replacement work on several shows. But she also spoke to the TD's, finding out what she needed to know to move from the roto department into the TD department. She made the move at Tippett, working as a TD on the movie "Cats and Dogs". After that came a series of commercials for Blockbuster. "Cute furry animals are my life"

Kirsten's thoughts on production:
Be grateful that as an artist you are working. Very few creative people make a living doing their craft. This field and most other art related fields have ups and downs. Think of it as a wave. When it's up, work hard, save your pennies. When it's down... travel, work on that short film you've always wanted to finish, take a class in something you want to learn.

Before you know it, the wave will be up again.

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